Showing posts with label Open Mic. Show all posts
Showing posts with label Open Mic. Show all posts

It’s Almost That Time Again…

Stepping to the stage is: OOSA



It’s almost time for the 3rd Annual ALL THINGS LITERARY AWARDS. The winners of these awards reflect a celebration of reading and writing. The public is welcome to submit nominations online beginning April 1, 2014 through April 30, 2014, in each of the following three categories:

Best Female Author
Best Male Author
Best Book

Eligibility Requirements:

The nominee must have/be a new and original work published within the time period of March 1, 2013 to March 31, 2014.

Books that are solely eBooks are not eligible.

Who May Nominate? The nomination process is open to the public.

Judging: This is not a popularity contest based on who received the most nominations or votes. The final nominations will be read and judged by a panel of judges according to specific guidelines. The judging process is blind. The judges are provided copies of the nominations minus any identifying information. To ensure fairness, the judging panel is made up of readers from across the U.S. both men and women of varying ages whose tastes expand the spectrum and include all genres.

This is a confidential process. The identity of the final nominees will be kept strictly confidential until after the judging process has been completed. The identity of the judges will remain confidential.

The winners will be announced in St Louis at OOSA’s Pajama Book Jam in October. In addition, the Brenda Hampton Honorary Literacy Award winner will be announced. The winner of this award represents unique individuals who put forth every effort to uphold the standards of African American Literature. This honor includes writers, reviewers, editors, publishers, agents…all who have remained dedicated to the cause for years, who have inspired many others along the way and who have had a great impact on the industry as a whole. Recommendations for this award can be sent to:brendahampton_1@netzero.net

About Us: The All Things Literary Awards is presented by OOSA Online Book Club, an award-winning book club and reviewing team founded in 2005.

Naked Pen

Stepping to the stage is: OOSA



LIE: OOSA is offering editing services.

TRUTH: OOSA is publishing a book.

LIE: OOSA offers video reviews by request.

OOSA is publishing a book. That’s right. But not just any book. An anthology. An anthology like you haven’t read before. Who are the authors? We don’t know. Maybe YOU!

What makes this book so different? OOSA is issuing a challenge to authors AND readers.

Challenge for Writers: Write a story in a genre or style you’ve never written in or published before.

Are you an author who has always wanted to write outside of the genre you currently write in? Have you been typecast as a *insert genre* author? Do you normally write erotica but want to take a stab at a thriller/mystery? Do you write street lit but want to write in another genre to show your versatility? Are you a Christian fiction writer who has always wanted to write romance? Have you always written in third person but want to expand to first person? Do you always write from the point of view of females and want to write from the mind of males?

Here is your opportunity to step outside of your writing box and try something different. Something new. And guess what? You can do it without readers knowing and prejudging you based on previous works. You can receive honest feedback and the opinion of the public on your change in style without your name being associated with it. That’s right. You will remain anonymous unless you wish to disclose your identity after an agreed upon time. We won’t tell if you won’t tell…

Challenge for Readers: How well do you know your favorite writers’ style? Could you identify their work without their name on it even if they’re writing something a little different? Do you know your favorite author’s voice unmistakably?

Here’s your opportunity to put that to a test. For the authors who choose to identify themselves, we will hold a contest. If you guess the author(s) correctly you will win a prize.

Now accepting short story submissions for our first-ever anthology. All genres welcome.

We welcome work from writers of all experiences. Whether your story pushes boundaries, makes someone laugh, teaches, entertains, sparks conversations, or highlights social needs –we’re interested in it all. Dramatic, creative, humorous, somber, poetic or lyrical – send it to us.

A successful submission will include a mix of plot and character development.

Minimum: 8,000 words

Maximum: 20,000 words

Deadline for submissions is December 31, 2013.

NO FLASH FICTION

More important than word count is the quality of your work. We prefer stories that are well-focused and quick-paced, but will allow less or extra words for an amazing story.

While we are not expecting submissions free of any errors, entries that show no or little signs of care, concern, or quality will be disregarded.

Multiple submissions welcome, no more than 3.

No stories that have been published previously in any form, or has been submitted for publishing elsewhere and has not yet been rejected.

OOSA has exclusive rights for six months from the publication date in early 2014.

Send submissions to: nakedpensubmissions@gmail.com.

Please include:

· Your name
· Story Title
· Story Word Count
· Two or three-sentence synopsis
· State your challenge

Manuscript must follow these guidelines:

· One-inch margins
· A single, clear, 12-point typeface
· Double-spaced text
· No extra space between paragraphs
· An indented first line for each paragraph

Happy writing!


OOSA-tively: Pajama Jam Edition

Stepping to the stage is: Mary Finley




Can you name an occasion where you’ll get to meet, converse, and enjoy a hearty laugh with exceptional authors like Brenda Hampton, Chris Renee, Justin Amen Floyd, Alex Richardson, and Moses Miller all in the same room? Well, I can because I was there! The OOSA Book Club’s Pajama Jam 2013 was the place and uplifting, affirming, motivating, and having a downright Oosa-tively jammin’ time was the theme for this two-night affair.

This was my initial attendance, but my hopes were high, based on the advertisements and pictures I’d seen on Facebook, and I was not disappointed. On the contrary, this event exceeded my expectations from beginning to end.

Friday night opened with Pillow Talk, a book club meeting hosted by renowned author Brenda Hampton, who greeted me with a smile and warm sisterly hug as soon as I walked into the room. I couldn’t believe it! As the room filled with readers and authors from all over the country, Brenda kept the same cheerful disposition and was hostess extraordinaire during the entire gathering that night. After we mingled, ate some delicious snacks, sat on blankets on the floor, and grabbed one of the many huge, decorative pillows, she introduced all authors present. I felt so privileged to be in that number. There was such a positive and comfortable atmosphere in the room. Although I’d only met them all that night, it didn’t take long for me to feel as if I was surrounded by friends. The novels discussed were Hell House and Who Ya Wit by Ms. Hampton, Tell Me No Lies by Nikki Michelle, and Sin Eaters by Kai Leakes. The views expressed by readers and authors alike were lively, as well as thought provoking. Several prizes were given away including the grand prize of a Kindle Fire. At the end of the night I was totally hyped and ready for Saturday night’s event.

I can’t begin to tell all I want to about Saturday night’s happenings. The ladies of OOSA showed out this year! I’ve never been part of an event you get dressed for bed to attend. When I entered the room and saw all the different, creative, colorful pajamas being worn by a bouquet of beautiful black women, I felt right at home with my sistahs. Scientist Moses Miller set up display to sell and autograph his work in one corner. His table was shared with Justin Amen Floyd, who was the life of the party, to say the least. In the opposite corner, same side of the room, Alex Richardson and Chris Renee were sharing another table where their novels were on display. All four of these authors were so friendly and easy going they mixed right in with the crowd. The dinner tables were all decorated to perfection with an array of edible goodies available on one table in the middle of the room.

Laughter filled the air. After introductions and greetings from the hostesses, we ate a delicious dinner, and the All Things Literary Awards were presented. Then the games began where the four featured authors were each captain of a team and we competed in singing, dancing, charades, and other games that made me feel like a kid again. It was just one huge party. I had so much fun! Regardless to whether an attendee was on the winning team or not, we all left with a parting gift from OOSA Book Club. I just happen to be on the winning team, Team Chris Renee, so I left with two bags of goodies a few hours later, totally exhausted but delighted!

It is always so amazing to me when the Creator gives me a life changing experience that grows me more into the person I am to become. The OOSA Pajama Jam was one of those experiences for me as an author. Bravo, OOSA! I’ll definitely be returning next year.

Mary Ann Finley, a native Oklahoman, has been writing poetry and prose since the age of 8 and thanks God for her gift of creative writing. She is most fond of free style poetry. Mary Ann was nominated for Female Author of the Year 2013 by OOSA Online Book Club's All Things Literary Awards for her first published novel entitled ‘Thicker Than Blood’ (2012), which is available on Amazon.com. The sequel to this novel will be available summer 2014.

Book Bliss

Stepping to the stage is: Book Bliss The Premier Marketing Mag



We often have inquiries if we offer any promotional and marketing services. We also are often asked for recommendations or a listing for editors and other literary services. As a result, we’ve decided to offer a helping hand. Word-of-mouth? No, we’re offering you word of mag! Publishers, authors, editors, typesetters, graphic designers, reviewers and other literary professionals, advertise your services in Book Bliss, the premier marketing mag and guide. List your product or services for as low as $10.00!

OOSA Online Book Club presents its 3rd annual PAJAMA JAM on October 26, 2013. This year’s Pajama Jam includes authors Chris Renee, Justin ‘Amen’ Floyd, Alex Richardson, Moses Miller and Wahida Clark.

We are offering an opportunity for promotion to our literary family. Book Bliss will be produced in conjunction with the annual Pajama Jam. All attendees will receive a copy. Our attendees include authors, aspiring authors, readers, and book club members. Book Bliss will also be distributed to our physical mailing list.

This opportunity is open to all with literary-related products and/or services. Similar products and services will be grouped together.

Space is limited. No spots will be saved without payment.

Good*Better*Best

GOOD: Name, one book title, and web site - $10.00
BETTER: Books, web site (half-page) - $25.00
BEST: Picture/logo, bio, books, web site (full-page) - $50.00

In the above breakdown, the word ‘book’ is used. If your product/service does not include a book or books, the ad will be tailor-made for your product or service.

Listings will be in black and white, much like the Yellow Pages. Limited availability for color ads. Inquire directly at bookclubpajamajam@yahoo.com for color ad availability and pricing.

Images and information for ads should be sent to bookclubpajamajam@yahoo.com after payment with confirmation number.

Please note: All payments to be made via PayPal: bookclubpajamajam@yahoo.com

OOSA Logo All Things Literary Awards hosted by OOSAPajama Jam

What Next?

Stepping to the stage is: OOSA



The entire month of April was devoted to nominations for the ALL THINGS LITERARY AWARDS. The month brought in hundreds of nominations and the start of phase two in our nomination process. Sifting through hundreds of nominations was a lot of work. To begin, all ineligible entries were discarded. Sadly, that was a large number. Many simply did not follow instructions by including books beyond the specified timeframe or submitting incomplete entries.

How did we arrive at the final nominees? There was a two-prong method.

They say don’t judge a book by its cover, but that’s exactly what we did. In our case, the back covers. A book is a package and the back cover or the synopsis is very much a part of that package. Many use it as a review tool to see if a book is worth their time. That is what our first committee did. They scoured over the synopses of all eligible nominations. Like the final judging process, it was done so blindly. Books were narrowed down based on their synopsis minus the book’s title, author’s name and any other identifying information. The committee looked for well-written, provocative book descriptions. Creativity and quality were crucial elements.

While a synopsis may catch one’s attention, it’s what’s inside the book that holds one’s attention. Excerpts of the nominated works were also taken into consideration. Again, it was done so blindly. And as with the synopses, our committee was looking for quality and intriguing excerpts that made them want to read more.

The final nominations are those that ranked the highest by the committee.

It is important to us to create an awards event based on the merit of work and simply not a popularity contest. Authors pour their blood, sweat and tears and days, months and years into their work and we want to recognize them. We want to celebrate great writing. We want to celebrate great writers. We hope that we are doing so with the ALL THINGS LITERARY AWARDS. By using a blind process in nominations and final judging, it does not matter who an author is, who the publisher is, where an author lives, who an author is friends with, how many/few books an author has, or how popular an author is on social networking sites. Authors are on an equal playing field and all that matters is writing.

Now it’s up to our judges to have the final say. We set out to create a panel of fair, honest and discerning judges. Serious consideration was given to who would make up this panel. We sought judges of all ages, both sexes with various reading palettes from all over. We wanted avid readers that could dissect books for their strengths and weaknesses and would not simply be wowed by glamour, drama, sex, or action. This panel has until the end of August to read the nominated works while agreeing to remain anonymous to further ensure the integrity of the process. The panel will evaluate the books on elements key to writing such as development, creativity and quality. The nominees will be announced to the public after the judging is over, and the winners will be announced at OOSA’s Annual Pajama Jam on October 26, 2013 in St. Louis, Missouri.

In addition, the Brenda Hampton Honorary Literacy Award winner will be announced. The winner of this award represents unique individuals who put forth every effort to uphold the standards of African American Literature. This honor includes writers, reviewers, editors, and publishers, agents…all who have remained dedicated to the cause for years, who have inspired many others along the way and who have had a great impact on the industry as a whole.

Recognizing and celebrating hard work, talent and quality. Building an awards event you can be proud of!

About Us: OOSA Online Book Club is an award-winning book club and reviewing team founded in 2005.

All Things Literary Awards hosted by OOSA

Hater What? Hater Who?

Stepping to the stage is: Nikki - Michelle



Let’s talk about the word hate and how it implies to the African American Literary community. I’m new to this club of being called a writer/author. Over the last past year or so it seems as if the book world has turned into the rap industry. From the cliques to the “book-beef,” it has all become one big rodeo or circus, depending on how you look at it. The word hate gets thrown around so much you would think there was absolutely no other way to describe a person’s opinion of your work, especially if they don’t agree with the masses. Everybody screams hater this and hater that. Allow me to elaborate, will you?

Hate is the intense emotion of anger with that of a judgmental overtone and malicious intent. There have been countless posts where an author has vehemently declared that a reviewer is hating on them if the review isn’t favorable. I’ve seen posts where authors have even gone as far as to threaten the lives of reviewers or threaten to do them bodily harm. Riddle me this, why is it so hard for an author to believe not everyone is going to like their work? Just because your friends and family enjoyed it does not mean the readers will. Even if readers enjoy your work, not every single one of them will like it or rate it five stars. And please, for the love of God, just because your book has been picked up by a major publishing house doesn’t mean the reader is wrong in his or her less than favorable assessment of your work.

However, let me tell you what hate is. Hate is you sitting on Facebook trying to insinuate that your paperback book is worth more than an e-book simply because it’s a paperback. Real readers know that it doesn’t matter if the literary work is in paperback or if it’s an e-book. It’s what’s behind the covers, the content of the book that counts. Hate is you telling people not to buy a particular book because of the genre it’s in. Hate is you lumping all the poorly written novels together and yelling that it’s Street Lit that’s killing the literary industry for African Americans. We all know that isn’t true as I have read some absolutely horribly written romance novels and some greatly written Street Lit novels.

Hate is not someone telling you that the synopsis you posted is full of errors. Hate is not someone recommending you get an editor before you put out another book. Hate is not someone suggesting you take your work serious enough to reconsider calling yourself a writer/author until you learn the difference between their, there, and they’re. I call that constructive criticism. When it comes to the point where you think your written work is above reproach, you’re in the wrong business. In closing, stop screaming everyone hates on you and start realizing that some people are just telling you the truth.

Nikki-Michelle resides in Metro-Atlanta, Georgia, by way of Mississippi. Carried by her love of reading, she began writing at the early age of 12 and has been on a journey of "trying" to pen the perfect novel ever since (she's still working on that). She is one half of the host and CEO for the internationally known blog talk radio show Seriously Sensual and is in the process of continuing her education. She is a married mother of two and an avid reader. Her love of writing and wanting to create stories of love, hurt, drama, and real life situations is what inspires her to continue on her on journey to pen the perfect novel (she's still working on that). You can catch her works in the previously released anthologies If Only For One Night, Full Figured 3, and Girls From Da Hood 7. She has a stand-alone novel' Tell Me No Secrets and 'Tell Me No Lies, set to be released September 24, 2013.

Authors Posting in Groups Without Interaction


Stepping to the stage is: Sistar Tea




Some may not want to believe this, but how one acts on social media websites affects their book sales. If an author is downright rude (and I’m speaking in terms of posting book covers and reviews everywhere they can fit them) and neglects to interact with readers, readers will be turned off.  I have spoken with a number of readers and while I know this isn’t ALL readers, this consists of my circle of friends and like-minded readers who will tune out that author and all of their books. So why risk turning off potential readers? That is the big question.

I wouldn’t be allowed to walk into someone’s house, kick off my shoes, hit the refrigerator, sit down and commence to trying to sell them something without speaking, so why do authors think this is the right approach? Blasting of links and book covers is annoying and rude. Try saying hello; maybe ask a question or two. Get to know your readers.  While no one is saying be the best of friends with your readers, it does not hurt to engage the readers in groups. Find out what their reading preferences are. What are their reading turn offs and turn ons? You would be surprised to see how many authors are turning readers off and most seemingly don’t care.

In my reading circle those who make lasting impressions are those who are active in groups and their personal pages. Those are the ones whose names are mentioned when recommending books. Why? Because those are the ones we are reading. Those are the authors we seek out when we’re looking for personal reads and/or book club reads. New authors today need to take a step back and follow the trend setters of the past, before the internet when you had to sell yourself in person.  Old school ways are NEVER outdated.  Let’s get back to the basics and stop flooding the feeds with promo material.

While some may think this behavior of posting links and covers is effective networking and marketing, let me tell you, it’s not. I have seen authors just downright ignore the moderators of groups when asked to post no more than one promo item a day. Why be so disrespectful and not abide by the rules of the group? I have left groups because they look like a rolling advertisement. I have taken the time to scroll through groups only to see links to buy books on Amazon/Barnes and Noble or just book covers with “check me out” or “coming soon.” No introduction to the author, just promotional posts.

Now let me touch on another trick authors are using … third party sites. Using these sites they can blast multiple groups without an author even logging on to social media. Hell, they don’t even have to be on the computer; they can just set times up and the site takes care of the rest.  So say you’re in three groups with said author, you will now see the same promo ad/book cover in your news feed back to back to back. Let us say they set it to every four hours. Every four hours said author dominates your news feed. Umm, can you say annoying? I truly hope that this trend fades quickly and the authors of today learn some manners and communication skills as it will only help their overall goals.

SiStar Tea is a plumber by trade. She takes pride in her job with New York City Housing Authority and can truly see how her services are helping the tenants. SiStar Tea has been a proud member of ARC Book Club, Inc. since 2008 and loves the tight-knit group of women. Averaging about six to eight books a month, Tea also loves to review. Her favorite to read being debut authors, as she likes to follow the authors’ career and see their growth. SiStar Tea is also a proud member of Silver Star 50 O.E.S and feels blessed to have such great women in her life. The single mother of four daughters, two granddaughters and one godson, she is happy to see her love of reading has filtered down to her children.

What Does Your Book Cover Say?


Stepping to the stage is: Leona Romich


Let’s talk book covers! The first thing a potential reader notices about a book is the cover. Makes sense; it is the very first thing that catches a potential reader’s eye. There used to be a time when the problem with some book covers was the half dressed women on the covers. The majority of readers are women. To carry around a book (when ereaders were not around) like that was…well, embarrassing.

Fast forward a few years and now with the trend of ereading, it seems that a lot of these book covers have gone from half dressed women to downright pornographic. Yes…I said it…PORNOGRAPHIC! Asses in the air, asses in a chair, asses everywhere! Yes, sex sells. But damn all that! Some of us have kids and some of us actually still read physical books and not just eBooks.

As if nakedness wasn’t the only problem, a lot of covers are starting to look too similar. Think about this, most of the book covers in urban-lit have the exact same things on the covers: money, drugs, guns, bullets and blood. Cars and crime scene tape are quickly gaining ground. Let’s be original, people. Here’s a suggestion: take a scene from the book and make that the cover.

Authors, if you insist on putting people on the cover, PLEASE let the character description in the book match that of the person on the cover. If a character has long hair flowing down her back, a short haircut or curly hair, let the model on the cover reflect that.

Then there are covers that just have too much going on and make no sense at all. Covers like that are a hot ass mess! Making it a bigger and hotter mess, there are those who use several different fonts. Stick to one font and make sure it is visible enough where the reader is clear on what the title says. Some are so blurred by the background, so small or illegible that readers have to squint or move the book around to make out the title. Or the number of different fonts distract from the title and cover. There is no need to put so much on a cover. Sometimes simple is better. A true author should let their creativity flow with not only the content of the book but the outside with the cover as well. Make it simple and straight to the point. Make sure it makes sense and corresponds with what the story is about.

There are yet other covers that look like someone took a picture with their personal camera or cell phone, blurred and all, and just threw it on the front of a book. Really? Shouldn’t you invest in your cover just a little more than just to throw some random BS on the cover?

Those who think it is creative to intentionally spell words in a title incorrectly…IT IS NOT CREATIVE AT ALL! It makes it look like you do not know how to spell. It is getting to the point where this seems to be the new “thing” to do. I have to shake my head. In all honesty, if I see a title that is spelled incorrectly, it makes me think the book will be unedited and riddled with errors as well.

Naked women, crazy fonts, models who don’t match the character descriptions, blurred photos, too much going on and misspelled titles. Oh, and let’s not forget to include the covers that are trifling or just downright disgusting. ENOUGH with covers with the likes of a woman sitting on the toilet smoking a cigarette or a dog and blood splattered everywhere. ENOUGH with the word “b*tch” in titles. It is played out and degrading to women! ENOUGH with plastering the words “bestselling author” on covers without actually having made a reputable bestseller’s list. How can anyone claim to be a bestselling author with the first run of their very first book!? What magazine or newspaper stated you were a bestselling author? Who said you were the king or queen of urban-lit? Where are the receipts to support that? Or for that matter, who deemed your book a “classic”? How many years have passed with your book title still being discussed as if it were released yesterday? Have readers all over the world read your titles? Is it required reading in schools across the country? Is your name spoken in the same sentence with Shakespeare, Dickens and the like? No? Be realistic and keep it honest. No need to lie or make up something because YOU think it will sell your book faster.

On the flip side, the back of a book is just as important as the front. A book’s synopsis should be edited just like the story itself. If your synopsis is riddled with errors, make no mistake, potential readers will be turned off. If the synopsis is unedited, chances are great the entire book was not unedited.

Authors, publishers, invest in yourself! I cannot say this enough. INVEST IN YOURSELF! The cover may just be the outside of the book, but trust and believe the cover is what catches the reader’s eye first and foremost. If the cover is appealing, then the synopsis is next. If you do not have those two on lock, your book will be easily overlooked.

Before you put a cover on your book, ask yourself: what can I do to make my book cover unique and stand out from the rest? Does it represent what my story is about? If cover models are used, do they correspond with the characters in the book? Is the cover or title one that I can be proud of in the years to come? Ultimately, as Jodi Picoult said, covers and “stories outlive their writers all the time.”

Leona Romich is an Ohio native. She is an avid reader. Reading has always been a passion of hers, a means of escape to another time and place with the characters she reads about. Leona is an independent book reviewer but also reviews for OOSA, APOOO Book Club, Strebor and Urban Reviews. Al-Saadiq Banks and Bernice McFadden are among her favorite authors as she enjoys a variety of genres.

Things in the Writing World that Get on My Last Nerve

Stepping to the stage is: Stacy-Deanne





Quantity vs. Quality
One thing I am tired of is the stupid “quantity over quality” thing. Some people believe it’s best to throw out as many books as possible despite the lack of quality. Really? I am so sick of this and I wish authors would stop bowing down to nonsense. You should never put quantity over quality! Why rush your writing? You owe it to yourself to put out the best work you can. These days we have too many people giving this bad advice and all it has produced is a bunch of crappy books.

And who gets burned? The readers and hardworking authors because throwing crap into the world makes us all look bad. Authors need to spend time honing their craft and stop trying to rush everything. Putting out a string of crap is not gonna get you on a fast track to sales. All it’s gonna do is ruin your rep because you’ll be seen as a bad writer with a bunch of crappy books. A clock should not be in the equation when it comes to writing.

Writers Whining About Reviews
Come on. Every single day writers are complaining about reviews. First off, reviews are not for you, but for the readers. I love it when someone goes, “You know I am not one to talk about a negative review but I got this review today…” Well, newsflash, you are talking about it! Shut the heck up. No one cares but you. Not even readers care. You really think readers buy or don’t buy based off of reviews? No. The average reader buys based on recommendations from trusted sources, people they know. You’re wasting time sweating over reviews anyway. The point is if you sign up to put your work in the public eye, you can’t expect everyone to love it. You’re gonna get good reviews, negative reviews and yes, even unfair and downright ridiculous reviews. Just move on. You don’t need to gripe about it, and you certainly don’t need to approach a reviewer who’s given you a bad review. It makes you look bad as an author. Frankly, I would rather a reviewer think I am too busy with my fantastic life to gripe over a review, instead of hovering over every single review I get like some vulture. There are things writers need to concentrate on that are within their control. Reviews are not one of them.

Writers Who Do Not Research
Here we go again. I don’t see how in 2013 writers can still get scammed or taken in by anybody. Come on. When I started in the business, the net wasn’t full of all these resources for writers. I had to go out and research or buy books. Now writers have everything at their fingertips. All they have to do is Google and it would save some heartache. I used to feel sorry for some people but when you are pulled into something that could’ve easily been avoided if only you’d taken one moment to research, you deserve what you get. It’s one thing to research something and be pulled in, but to not do any research when you know jack about the publishing world, then sign with the first person who sends you a contract, it makes no sense. You need to treat signing with a publisher (or anyone in the industry) like you would any important decision. Why would you sign with a publisher without researching them, reading their books, or speaking with their authors? Why would you sign with an agent who charges you a fee, when the biggest red flag is that agents don’t charge fees! Why would you send money to someone to attend an event or festival yet you didn’t even bother to check out the event or festival in the first place? Why would you sign with a “publicist” or “editor” yet you have no knowledge whatsoever of their history, and haven’t checked any references? The point is, you shouldn’t. Laziness and failure to research is not an excuse! If you don’t do all you can to be careful then you should not be surprised when bad things happen.

Some people need to utilize a little more sense. Really.

*Stacy throwing the mic down and walking away*

Stacy-Deanne is an award-winning author of crime/mysteries and suspense novels. She was born and raised and resides in Houston, Texas. Her favorite influences include Alfred Hitchcock, Edgar Allan Poe and Oscar Wilde. Her titles include: Divas of the New Millennium (Amber Communications Group, Inc. 2005), Everlasting (Simon and Schuster 2007), Melody (Simon and Schuster 2008), Giving up the Ghost (Peace in the Storm Publishing 2011) and The Season of Sin (Peace in the Storm Publishing 2012).

All Things Literary Awards 2013


Stepping to the stage is: All Things Literary




It’s that time again! OOSA Online Book Club is pleased to present the ALL THINGS LITERARY AWARDS 2013. The winners will reflect a celebration of reading and writing.


The public is welcome to submit nominations online beginning April 1, 2013 through April 30, 2013, in each of the following three categories:

Best Female Author
Best Male Author
Best Book

Eligibility Requirements:
The nominee must have/be a new and original work published within the time period of March 1, 2012 to March 31, 2013.

Books that are solely eBooks are not eligible.

Who May Nominate?
The nomination process is open. One nomination per category. Multiple nominations will be disregarded.

Judging:
The final nominations will be read and judged by a panel of judges according to specific guidelines. The judging process is blind. The judges are provided copies of the nominations minus any identifying information.

Confidential Process:
The identity of the final nominees will be kept strictly confidential until after the judging process has been completed. The identity of the judges will remain confidential.

Winners:
The winners will be announced in St Louis at OOSA's Pajama Book Jam in October.

In addition, the Brenda Hampton Honorary Literacy Award winner will be announced. The winner of this award represents unique individuals who put forth every effort to uphold the standards of African American Literature. This honor includes writers, reviewers, editors, publishers, agents…all who have remained dedicated to the cause for years, who have inspired many others along the way and who have had a great impact on the industry as a whole. Recommendations for this award can be sent to: brendahampton_1@netzero.net

About Us:
The All Things Literary Awards is presented by OOSA Online Book Club, an award-winning book club and reviewing team founded in 2005.

Real Reader!


Stepping to the stage is: Crystal



Real Reader!

Thanks to social media, readers and authors who do not reside in the same zip codes are able to connect and share much quicker now than ever. Where readers used to have to wait until their favorite authors came to their cities or nearby locales, with Facebook, Twitter, and other cyber entities, readers are only a click away from the inside stuff. While you and that author may become friendly, share laughs, and even stand on the same sides of certain discussions, when you review their work and it doesn’t sway the way they wanted, you may just be... irrelevant.

Say what now? You’re confused because your author friend knows that you’re an opinionated person who doesn’t mind standing alone, especially when the book’s integrity is called into question. So why, after reviewing their book, do they all of a sudden feel as if you are no longer the person they thought you were? Interesting.

Don’t misunderstand what I’m saying. There are some very special authors who are able to handle your truth. They ask the tough questions and truly want to fix what’s wrong so they can mature in their craft. They are both thankful and grateful for your time and assessments. And when asked, you can truly tell another reader that that author is someone worth reading. Then there are the others, the cyber thugs, dusting off a space on their FB wall and Twitter feeds with attacks against you. Everyone has a right to their opinion, right? Then why is okay for authors to feel they can find solace in attacking a person because their opinion of their book is not what they wanted? See what your form of honesty gets you?

Have you ever stared at an inbox message filled with rage, after reading an email filled with praise from the very same author? I have.  If you’re like me, you’re probably wondering if they’re bipolar, right? The jury is still out. When did being honest make you a hater? I get it; not everyone is going to like, love, agree with or even at times understand you. But to say that because I didn't like a book, that I must not have read it. Seriously? Or to say because I only focused on one specific thing, I couldn’t have read the book. Then there are the authors that haven’t had their books edited, they KNOW they didn’t have their books edited, and they get mad when my review reflects such. How is that the reader’s fault? When I go to McDonald’s I don’t want to hear that Ronald couldn’t afford to pay Mayor McCheese, so Quarter Pounders are no longer on the menu. If you can’t afford to pay an editor and you’re serious about pursuing your dream, then perhaps you should look into finding another job to finance your dreams. Is that so unimaginable? Then let’s not forget the authors whose book is so profound that apparently my limited education couldn’t grasp it. No, it’s not them and their book; it’s me and my lack of education. If I couldn’t follow the multiple plots and overabundance of characters, that’s my problem again, right? I mean, I can’t ask the author, the person who wrote the book in the first place, to shoulder the blame. Can I? Why shouldn’t the blame be on you, the author? It’s your job is to keep me, the reader and paying consumer, intrigued, entertained, and page flipping. Since you failed to hold my attention, aren’t YOU the real hater? Sounds stupid doesn’t it? Imagine how I feel.

Other people’s opinions do matter. Perhaps it's not the opinion you'd hoped for when asking me to read your book, but my opinion will hopefully help you to see what's needed to get you to the next step if writing is truly for you. Or, you can continue to believe that I'm a hater, without putting any thought to what I've said and stick to the readers that only sing your praise. Sure, that won't get tiring (insert sarcasm). Their way doesn’t demand you to challenge yourself to be better. Besides, any reader who LOVES every single book they’ve ever read is suspect. And let’s keep it real, they don’t have any real value for you; they’re simply trying to be friends with everyone. That’s not a reader, that’s a groupie.

Reading consists of comprehension. As a reader, I read things, and even if I am in disagreement with the characters’ actions, afraid of what is to come, if well written, I can’t wait to flip that page. Now readers are dealing with the same unoriginal story lines that lack a plot or depth. Character development is left on the first page next to the character’s overly detailed physical description, if at all. Every single chick is of mixed breed with the best cooch in town. It's like the book game has hit the spin cycle and whack is the new 5-star rating. If that’s the author you’re looking to be, then I’m definitely not the reader you want to meet.

You don’t have to like me, but you will respect that my opinion is unbiased and your friendship is unnecessary. I read because I love it. But when I find that authors are abusing my first love, READING, it’s personal for me. So call me a hater, if that makes you feel better. Look at the people singing your praises, now back to me, now back to your fans, now back to me... I’m a REAL READER!

In the cyber world I'm Nardsbaby (a combination of hubby's name and what he call me) I'm a Queen married to my real life King, with three royal heirs - two princes, and one princess.  Our kingdom is located in the hood on the West Side of Chi~town.  I'm the co-founder of OOSA Online Book Club.  

I don’t just enjoy reading; it’s my first true love. If you follow my reading lists you'll see that I'm the ultimate contradiction. I am a child of God who believes in love with happily ever after, and my heart is open to that misunderstood gangster, as long as it’s well written.



To Whom Much is Given, Much is Expected: An Author’s Responsibility


Stepping to the stage is: T.L. Tucker



Writing a book is much like sowing a seed. When a seed is planted, it is usually strategically placed under the soil where it could take root. If placed appropriately, the seed will get the proper nutrients needed to evolve into the root. What grows thereafter depends upon what kind of seed was planted. A farmer would never waste his time planting a seed that would not yield a crop fit to be consumed. So, as authors, why should we? I believe that authors have a huge responsibility to tell meaningful and purpose filled stories that make our readers laugh, cry, and think. An author’s job is to challenge readers while entertaining them.

It has been my experience being an indie author that there is a low expectation for quality pertaining to self-published work. Why do you think this is? I understand that putting out a quality product is much harder when you don’t have a mainstream publisher to dot all of your I’s and cross all of your T’s. However, it is the responsibility of the author to make sure that books are up to  industry standard in every aspect. Grammatical errors and usage issues have been a big eyesore in the indie literary community.  It is so important to HIRE an experienced editor. Once we have hired an editor, we must trust him/her to make appropriate revisions and suggestions. Everybody isn’t out to get our manuscripts with their red magic marker. Editors know exactly what the industry is looking for. Editors know what need to be changed and what takes away or adds to a story line. We have to trust that. With that said, let me say this, “the editor is not ALWAYS right,” but they are right most of the time.

Another big downfall in the indie community (especially with African American authors) is the way that men, women, and the African American community as a whole is depicted in our novels. Granted, there are drug dealers, promiscuous men and women, and gold digging women, but that is not all there is to the African American experience. There is so much more to being an African American in 2013. Ugly stories can be told with integrity and purpose. We can’t blame the media for depicting us in such a negative light if we ourselves write books that stereotype and depreciates us as a people. We have to take some of the responsibility. 

What kind of seeds are we sowing? Will our writing make a positive difference or inspire a positive change? Has money become the driving force in the literary community? Do we care about the messages that we are sending to the masses? Do we fully understand that when we have gone to meet our maker that our writings will be the legacy that we leave to our children and our children’s children? Our writing will be here after we are long gone and in essence will be the  universe’s only proof that we ever existed. My challenge question to you is this: What are you sowing into the universe? What legacy are you leaving?


Weapon of the Pen
Written by: T.L. Tucker
Gird yourselves my friends, with the weapon of your pens
And understand that what you write
can bring forth death, or bring forth life
Even though the words aren’t spoken
they have the power to leave one broken
Even though you may not hear them
They hold power when you read them
They plant a seed, fulfill a need
Crush a dream or build esteem

When you write, what are your deeds?

We have the gift, the power to make a positive change
Let’s us our gifts for that purpose, not to keep our people enslaved and in chains
With a stinky leg, lollipop, how low to the ground can you drop
And a pimp, hoe, gimmie that doe; how far are you willing to go?
No, I will not sale my soul, for any amount of money, or any measure of Gold

To totally understand what I’m saying to you
We have to acknowledge that these gifts are not our own
But bestowed to us from Him, who sits high and on His Throne
And should be used for Him alone

Our gifts from Him should be the gifts that keep on giving
That plant seeds, breathe life,
and encourage folks to keep on living

And so I say again
Gird yourselves my friends, with the weapon of your pens
And understand that what you write
Can bring forth death, or bring forth life

I choose Life…..

Author T. L. Tucker knew at a young age that writing was her passion aspiring in her senior yearbook to be a journalist. In 2008 she released her first book, Single & Saved in PG County, a self-help auto biography about dating, singleness, single parenting, and divorce. She has stepped out of the box with her new fictional novel Revenge Interrupted, setting a new standard for modern literature. In her latest novel she addresses the issue of family dysfunction, HIV, promiscuity, rape, and forgiveness. T.L. challenges society understanding that although we may not control our circumstances; we can control how we react to them. She has also written and produced her first short film based off of the highly acclaimed, novel. As an author and film maker her goal is to challenge society and plant the seeds of righteousness, integrity, and morals while entertaining them with her unique style of writing.

KDP - Godsend or Curse?


Stepping to the stage is: Ca$h

When you turn on your Kindle today and browse, looking for an urban banger to read, you have hundreds of thousands of urban and street lit books to choose from, and just as many authors. KDP or Kindle Direct Publishing has made it easy and free for authors to self-publish.  It allows you to self-publish your books and make them available on Kindle, iPad, iPhone, Android, Blackberry, Mac, and PC.  Many authors have made a name for themselves, along with a fat duffel bag, through the KDP program.

No one should hate on the next person's hustle, right? Well, many do. They point to KDP as the primary reason that the urban street lit genre is oversaturated with poor quality books. There may be some truth to that, but I say that it was no different than when you had to go through the traditional channels to get published. Just because a book is released by a major publishing house or a well-known independent does not guarantee that the book will be fiyah. No doubt, the books released by majors will be better edited than those self-published on Kindle, but the quality of the story simply depends on the author.

Does it validate an author in your eyes if they are with a major publisher? Without KDP many authors would have never become known, their talent and their voices would have been silenced forever. So no matter how saturated the genre becomes, I believe that the cream will always rise to the top.

I came into the game with a publishing deal, and I'm appreciative of the recognition that I received on Wahida Clark’s publishing imprint. However, there is no comparison to the freedom that I have using KDP's services. It is my belief that the top, best-selling, self-published authors on Kindle can compete with those signed by major publishers. What's your view?

Having experienced both sides of the game, as an author with a highly respected publisher (Wahida Clark Presents) and self-publishing through Kindle Direct Publishing, I personally prefer KDP. However, I wouldn’t be the writer that I am if it were not for the valuable lessons I learned dealing with the professional editors that worked with me through the publisher. The biggest difference in novels written by self-published authors and those written by authors that are with established publishing houses is in story and character development.

My advice to self-published authors is that they read novels that are published the traditional way and pay attention to the development of characters and plot. No author is a good editor of their own work. To help elevate the genre, we have to take pride in what we publish and give our readers a quality product regardless of what route we take to publish. KDP is not a curse in my eyes, it is a godsend.

Hailing from Ohio but later calling Atlanta his home, Cash is the author of TRUST NO MAN 1-3, BONDED BY BLOOD, THUGS CRY, and SHORTY GOT A THUG. He’s writes fiction but not make-believe. There is a difference.

Author in the Mirror


Stepping to the stage is: Brenda Hampton


I often ask myself is anyone really listening or paying attention to the voices of those who cry out, on a regular basis, about the state of African American literature. There is no doubt that we’ve read numerous articles where some authors have thrown in the towel because they’ve had enough. We’ve seen blogs and Facebook posts where frustration is mounting, but when an author/reviewer/reader expresses their concerns, crickets sound off. Then there are those who feel the pain of what our industry is experiencing, yet they remain silent and prefer to whisper in their cliques about how messed up things really are. There is no sense of urgency regarding this matter, nor is there a sense of togetherness. Fingers point at those who write in certain genres, and according to some, had it not been for those doggone authors writing about thugs, prostitutes, pimps and hoes, we wouldn’t be in this predicament.

No one can pinpoint a specific reason as to why we find ourselves locked out of major publishing houses, looked upon as non-gifted writers and money hustlers. But that, indeed, has become our reality. From someone who eats, sleeps and breathes this industry, I feel compelled to lay down my burdens and keep it real. My stomach turns when I read poorly-edited books. I cringe at book covers that represent African American women and men in a negative light. And I am saddened for those who believe it is to their benefit to value their literary works at a mere ninety-nine cents. I scratch my head at authors who consider credible reviewers as “haters” and whenever many of those reviewers offer valuable information, only a handful of us are willing to say one simple word—thanks. I could go on and on about what I’ve witnessed over the past eleven years, but if I, Brenda Hampton, want to put some of the blame on anyone for the mess in which many of us have contributed to, I must look in the mirror. Change starts with me; after all, I am the creative one. If the industry in which I love so much is sinking like the Titanic, what am I prepared to do? How can I save it, and why can’t I use my ingenious mind that all real writers are gifted with to help make a difference? Many will reject the idea that I, and or you, have contributed to our downfall, but when we love something so badly, don’t we nurture it? Just like a business, don’t we do what we must to build it up? Is it our responsibility to teach those within our company how to run it or do we ignore them? We have to remember that we’re not in this business by ourselves, and whatever we contribute to it, good or bad, it is a representation of the whole company, not just part of it.

I think back to when I wrote my first novel. I had no idea what to do, how to do it or where to turn. I did, however, reach out to seek advice from certain authors, who shall remain nameless. Not one of those authors responded. I was shocked, but I did some homework, had my book edited and released it with a book cover my daughters had designed for me—bless their hearts. To make a long story short, after doing all of the research that I could do, I was still, in a sense, lost. As many authors do, I pushed forward, not realizing that I hadn’t hired the right editor, not knowing that reviewers would critique my book from front to back, and I was unaware that readers would leave my book on the shelves because they didn’t approve of my cover. The $19.95 price tag on it surely didn’t cause readers to dig deep into their pockets, and I even caught one lady laughing at it because the entire book was double-spaced. At that point in my career, I truly thought I knew it all, and shame on that lady for laughing at my book! Hater…she’s just jealous—that was what I thought, but realistically, I had failed myself. What I didn’t know was, many years later, I would still be in the learning stages.

I say all of this to say that, as writers, we can be educators too. While I make NO excuses for so-called authors who could care less about doing the right thing, whose half-ass efforts will eventually stall, and who ignore the state of our industry, I do have compassion for those who want to grow, learn and better their literary careers. I’m still looking in the mirror, asking myself, how can I help those authors? Can I educate them on a process that is unique in its own way, because, technically, you have to go through something in this industry in order to know something about it. Am I too busy, and or selfish, to share all that I have learned, in hopes that raunchy book covers, cheap e-books, and poorly written stories do not become the norm? More so, have I done anything, other than complain, about the very people I wasn’t even willing to help?

I am still a work in progress, and I will be classified as such until the day I retire from writing. But as we seek skillful and simple solutions that are vital to reversing the path in which we are traveling, I ask those who truly care to look in the mirror. Many of you already go to hell and back for others—you certainly know who you are. But for those who sit on the sidelines, check your reflection. Who do you see? Are you willing to take a stand for African American literature and help to give it new life? Can you be honest with upcoming authors who may not know better and who do not understand the process? Speak up and take action now, because if you don’t, I assure you—no, I guarantee you—that we will all fall together. Being affiliated with a bestseller’s list, having a galore of author friends, and even writing the best book ever will not spare your reputation. History will remember us as a defeated group of individuals who lost courage and failed to preserve AA literature. One author at a time…we can do it make our literary world a better place.

February is Black History month. Beginning February 1st, reach out to somebody in the industry who you know needs you. Post everywhere that you can: “I love Black literature. I’m an author, reviewer, editor, agent, publisher…How can I help you?” If you can’t answer the questions directed to you or if you’re not one-hundred percent sure, take the time to seek someone who knows. Allow the love for what we do to spread like a wildfire, in hopes that our conjoined efforts will begin to stabilize the shaky ground we walk on. Onboard? We shall see…

Brenda Hampton is a bestselling author, publisher and literary agent. Praised as the writer who brings the heat, Hampton’s literary career is filled with many accomplishments including being named favorite female fiction writer in Upscale Magazine as well as other literary nominations and awards. In an effort to show appreciation to her colleagues in literature, Hampton created The Brenda Hampton Honorary Literacy Award and Scholarship Fund. The award not only celebrates writers, but it also represents unique individuals who put forth every effort to uphold the standards of African American Literature.


Brenda Hampton

Lose-Lose Situation


Stepping to the stage is: Ms. Toni
Open Mic

“You won!” It’s nothing like seeing or hearing those two words when you’ve entered a contest. In my best Cuba Gooding Jr. voice, “Show me my prize!” Like many today, I enter contests. Sure, the odds of winning may not always be great, but what the heck! Nothing to lose, something to gain. As an avid reader with a voracious appetite for books, book contests often come in handy as is the case with many readers. It fuels the reading addiction. But also as is the case with many readers, I’ve entered a contest and not received my prize. I got beat out of a box of books by a well-known and recognized literary organization. I won’t even pretend. I was HEATED! The years have passed and I’ve moved on, but to this day, I don’t and won’t support that organization. What I didn’t realize, though, was that this was such a hot button topic until I posed a question among a group of readers. The question was simply if anyone had ever entered a contest and not gotten their winnings. I didn’t hit send good before everyone had a horror story to relay. Seriously? Yes, seriously. Reader after reader recounted a contest or contests they entered and won sponsored by authors, publishers, literary radio shows and blogs and they never received their prizes. Winnings ranged from books to gift certificates to t-shirts. In response to inquiries about the contest winnings, readers have heard it all. “It’s in the mail.” “What had happened was.” “I don’t have any more books.” “Oh, that’s your address, I thought it was….” “The post office must have lost it.” “I never got the email with your address.” “I ran out of t-shirts.” “The author backed out of the contest.” My favorite would have to be, though, is the authors that don’t even bother to respond. Hello, can you hear me now??? I guess not.

It’s evident in today’s literary environment that for many the book business is just a hustle. Writing, publishing, selling, editing and even reviews – all a hustle…for some. Geesh! Are book contests the newest hustle? Are there authors, publishers and others somehow literary related that host contests for attention and exposure but have absolutely no intention of following through? Say it ain’t so! Well, when you have more readers than not that haven’t received their winnings, it’s a question that begs to be considered.

Now, don’t get me wrong. Things happen. We all know that sometimes mail gets caught in a black hole never to be seen again. I’ve been on both sides of the contest coin. I’ve sent the book that was never received. I’ve dealt with the winner that won the contest on Monday and on Tuesday was asking why they hadn’t received their book yet. But that’s not what I’m talking about here. I’m talking about those who never planned to send a prize. Those that sent a prize after so much time has passed that the person forgot they won. Those that won’t respond to messages about the status of a prize but are all over Twitter telling you what they had for lunch or on Facebook playing Words with Friends. Those that send prizes only after a reader puts on camouflage and waits outside in the bushes in full stalker mode. I’m also talking about those that condemn these behaviors with their peers and publicly but behind closed doors are those very behaviors. And let us not forget those that flat out accuse winners of lying when contacted about not receiving a prize. Really? Yes, really. These authors do exist. You’d be surprised at who some of them are. Reader after reader can attest to it.

I’ve heard some say they didn’t know this or that was wrong because no one ever said it was. Well, I’m telling you today: It is wrong to hold a contest that you have no plans on following through with. Do not offer to send something you don’t have. Don’t create a contest and then have a lassie fair attitude about it. Don’t catch an attitude when someone asks about something you promised them. Don’t accuse winners of being liars.

Beat me out of a book or other prize and you’ve beat yourself out of support. You may have gotten the exposure, but not the kind you want and not the kind readers will easily or quickly forget.

Toni, co-founder of OOSA Online Book Club, is a voracious reader and reading is her favorite pastime. Diverse in her tastes, she enjoys many genres. Toni’s favorite authors include Eric Jerome Dickey, Jane Austen, Brenda Hampton, Keith Lee Johnson, Jackie Collins, Al-Saadiq Banks, J. D. Robb, Moses Miller and William Shakespeare.

You Can't Eat Toes for Breakfast


Stepping to the stage is: Rickey Teems II



Sits upright and smiles big. Hello, I’m Rickey Teems. Many of you may know me from my crazy and controversial novels where I kill all the characters, revoke civil rights from African-Americans, or narrate a man’s porn addiction. But there is a softer side, because like the late Whitney Houston (or Sexual Chocolate depending on your favorite version), I believe the children are our future. Teach them well and let them lead the way.

Okay. That was bad. True, but bad. To put it in context, all of my novels are faith filled and real, dealing with issues Christians are not immune to. But in late 2012 I followed my heart and God’s direction, and dove into the bright and imaginative world of children’s literature. It made good sense. Being a writer, that now has a menace, er, toddler running around the house, it was only a matter of time before my daddy duty and writing rhythms inevitably crossed paths and exploded into the educational and engaging children’s book, You Can’t Eat Toes for Breakfast, which has already been used in multiple classrooms and submitted for two of the most prestigious children’s book awards. Now I have an itching to make an even bigger splash in this genre.

To be honest, my children’s book journey started decades before 2012. Probably 3 decades to be exact. But Rickey, you say, you’re so young and vibrant, you couldn’t have possibly been alive three decades ago. Well, thank you. But please, please don’t stop with the compliments. Unfortunately this old tire does have a little mileage and wear on the tread. Sigh. But I digress. Yeah, in 3rd grade we did a book project where we wrote a short story, bound it between two pieces of stiff cardboard, put a cover around it, and Voila. Self-publishing meets child labor laws (but it wasn’t coal mines so nobody cared). My story was titled Lost in the Woods. It was about a young boy who didn’t listen to his mother and was sent on a scary journey trying to find his way back home after wandering off. Not to brag, but I won best book in the class. Ok, maybe to brag a little. There may have been a lot of authors born that day, but the world was introduced to one future superstar, for sure.

Growing up a reader, I was obviously heavily anchored in children’s literature, so it just seemed to come natural. Believe it or not, You Can’t Eat Toes for Breakfast isn’t the first children’s book I have written. A few years ago I was visiting my oldest daughter (she was nine at the time) in New York, and while riding the E train back to Queens to take her home, she began crying and asking how come I had to go back to California, and why her mother and I couldn’t be together again. This literally tore my heart apart. As I held back the tears, I decided to put my emotions to good use and wrote a book on my phone about the positive aspects children can focus on when their parents are no longer together. Although I don’t plan on releasing that book until 2014, at the time, it sparked an interest to a) help address various topics that children need to learn about and b) promote literature at an earlier age, in hopes of reducing illiteracy rates as kids grow older. I didn’t realize it at the time, but that was the beginning of a slightly epic turn.

After You Can’t Eat Toes for Breakfast was completely finished (which didn’t happen anywhere near as fast as the statement you just read, but I won’t bore you with those details), I felt like I hit it out the park. The illustrator had been great to work with for my budget. The story was creative and rhymed (yeah, I used to spit a freestyle or two back in the day. LOL), but I knew there was only one true way of getting an unbiased assessment and knowing if it was as great as I considered it to be. So I did what any real writer does. I contacted the harshest, fiercest, tell-it-like-it-is critic I could think of to test the book on. I called my 17-month-old daughter, Christiana, over to the couch and read it to her off the computer. I’ve never felt so much pressure in my life! The iPad and her favorite toys were only a few steps away. Dora the Explorer was on the flat screen. There were more toddler distractions than a Toys R Us, but I knew if I couldn’t keep her attention in the face of war, then it would be back to the drawing board. Needless to say, she laid on my chest for the duration of the story. Pointing at the screen, repeating words, pointing to her own body parts that corresponded to the story; I ran and popped a bottle of champagne and started spraying everybody with it like I had just won a championship!

After the book was released, readers seemed to agree. It wasn’t long before people were sending me pictures of their children reading the book or holding it up in the air. What a blessing! But it didn’t stop there. One of my friends posted a video of her reading the book to her students, and using it as part of the lesson plan. I was in awe. You want to talk about God being good! Who would have ever thought the cute third grader with the best book in class would go on to write a real children’s book that would be used back in the classroom! It wasn’t long before a few other teachers were sharing similar accounts of incorporating my book into their lesson plans. Meanwhile, parents were expressing their “disgust” at having to read the book multiple times, every night to little ones across the United States because it was a favorite. I am so humbled. Who would have ever thought I’d have a literary catalogue that includes favorites for adults all the way down to toddlers. Only the power of God. It makes me wonder if twenty years from now the next big author will talk about reading when he or she was a kid, and mention You Can’t Eat Toes For Breakfast as one of their childhood favorites. Hey, an old man can dream, can’t he!

Now I’m working on expanding my children’s book library going into 2013. Over Thanksgiving weekend, I wrote not one, but two more kids’ books. And while there is much editing that needs to happen, the concepts and vision are as on point as ever! Twenty-four hours ago I celebrated wrapping up a commercial shoot for You Can’t Eat Toes For Breakfast and I’m hoping you guys will find it as adorable as I think you will. Shout out to my boy James for making it happen. And you want to talk about a mind that never rests, during the course of that celebration last night, I solidified the game plan and resources to make an audio book to help expand the brand and reach! I’m excited. I wish I could share everything else that I have on deck, but OOSA might not let me pick up the mic again if I keep you guys another second! But please believe me when I tell you, God made me a promise, and you know he doesn’t do failure! So I pray that all of you continue to rock with me like you have. Thank you all for your continued support! If you haven’t already, be sure to grab an autographed copy of You Can’t Eat Toes for Breakfast for the little ones in your life by visiting the purchase page of noguilebooks.com.

Blessings and Happy Holidays loved ones!

Acclaimed author Rickey Teems II is a man of God and community. Teems likes to push social, religious, dramatic, and emotional boundaries with every story he tells. With a Bachelor’s in Psychology and a Master’s in Marriage and Family Therapy, he spends a lot of time working with youth to ensure the men of tomorrow understand the fundamentals of success. For more information on Rickey Teems II and his works, be sure to visit: www.noguilebooks.com